Tuesday, September 8, 2009

Fred Mills, Canadian Brass Trumpeter, Dies

Prior to the Canadian Brass, there were the New York Brass Quintet, the American Brass Quintet and numerous other ensembles, largely regional, which played a repertoire of arrangements and transcriptions from the Renaissance and Baroque, much of this published by Robert King, in North Easton, MA. There was also a slight category of early original music for brass ensemble, i.e. the quintets by Victor Ewald and Ludwig Maurer's short pieces. Then, there were contemporary works for 5 brass, almost all written for 2 trumpets, horn, trombone and tuba. On the other side of the Atlantic, Philip Jones formed the Philip Jones Brass Ensemble (PJBE) which produced exciting new sonorities with its standard instrumentation of 10 brass. The PJBE also generated numerous new arrangements and original works which extended the upper reaches of a brass ensemble through use of the piccolo trumpet.

On this side of the Atlantic a dramatic reformation of brass quintet playing came not from innovative Americans, but from the Canadian Brass. Formed in 1970, the Canadian Brass soon attracted attention from the lower reaches of the continent with their showmanship and rethinking of the sonoric possibilities of 5 brass. There is at least modest irony in the fact that the ensemble was originally the brainchild of trombonist Gene Watts and tubist Chuck Daellenbach, for what would soon distinguish the Canadian Brass was the brilliance of the trumpet playing, made even brighter by the frequent use of piccolo trumpet. Just as Philip Jones had extended the range of a large brass ensemble, the Canadian Brass created a quintet sound previously unimagined. Other quintets soon followed, but the Canadian Brass remain the inventor of the modern brass quintet and even today, 39 years later, they reside on the top rung of the brass quintet ladder.

Trumpeter Fred Mills joined the ensemble in 1972 and immediately made an impact with his piccolo trumpet playing and arranging skills. Mr. Mills retired from the Canadian Brass in 1996, though he continued to play and teach at the University of Georgia. Tragically, Frederic Mills died the evening of September 7 as the result of a traffic accident. He will surely be eulogized throughout North America and around the world for his generous and significant contributions to music education and the art of the brass quintet. The headline banner on the Canadian Brass website says it all:

Tonight Gabriel is playing trumpet duets.

Learn more about Fred Mills here: Associated Press story

Learn to fiddle online!

Unique fiddle ensemble Childsplay is launching their new YouTube series Childsplay Lessons, featuring free tutorials by its members.
In the first installment of the series, Childsplay's Bonnie Bewick, also a member of the Boston Symphony Orchestra, shares her tips and tricks (involving a clever use of your standard ballpoint pen) for sustaining sound at either end of the bow. Watch Bewick's lesson here: http://bit.ly/ChildsplayLessonsEP1

Check http://www.childsplay.org/ for free downloads of this and future episodes in the Childsplay Lessons how-to series.

The 13 tracks on multinational fiddle ensemble Childsplay's newest album, 'Waiting for the Dawn,' integrate the traditional and the modern, with tunes that range from the Scottish folk tune "Rattling Roaring Willie" (with lyrics by Robert Burns) to U2's "Mothers of the Disappeared" to Elvis Presley's "Love Me Tender," itself an update of the American Civil War song "Aura Lee." The addition of vocals by Crooked Still's Aoife O'Donovan and vocal harmonies, a first for a Childsplay album, weave a timeless tapestry of meaning into the strings' rich timbre.

Friday, September 4, 2009

Be a part of it!

Be on stage with the San Antonio Symphony!
The San Antonio Symphony is about to begin it's 70th anniversary season, and you enjoy the dramatic season opener while supporting KPAC 88.3 FM.

KPAC is auctioning off an enchanted evening on the town for two that includes a romantic dinner, chauffeured limo and exclusive seats on-stage for the San Antonio Symphony's season opening performance of on of the most dramatic and well-known choral pieces ever composed, Carl Orff's Carmina Burana with the San Antonio Mastersingers. Also featured that evening is famed violinist Gil Shaham who will perform Samuel Barber's Violin Concerto.

Package Includes
•Two (2) tickets to the San Antonio Symphony's performance of Carmina Burana & Gil Shaham on September 19, 2009 at 7 p.m. (Seats are on-stage with the San Antonio Symphony and San Antonio Mastersingers during the second half of the performance.)
•Dinner for two to Bohanan's Prime Steaks-Seafood.
•Limousine rental for the evening.
•Framable photograph of auction winner and guest on the stage of the Majestic Theater.
•Entry for two (2) to a post-performance champagne meet-and-greet reception with violinist Gil Shaham.
The entire evening is valued at $750. Opening bid is $500. All proceeds benefit Texas Public Radio, home of KPAC 88.3 FM, San Antonio's Classical Oasis.

PLACE YOUR BID HERE!

NOTE: A black tuxedo or suit with bow tie or a black dress are required to sit on the stage during the concert.

Auction Rules
•Please note that by placing a bid you are making a contract between you and Texas Public Radio. Once a bid is placed, it may not be retracted.
•All sales are final.
•Texas Public Radio will contact the high bidder to arrange payment at the conclusion of the auction. Payment can be made by cash, check, or by Visa, Mastercard, American Express or Discover card.

SA Hot 100?

No, not the temperature, whew!
Every day, KPAC 88.3 FM aims to soothe and delight with selections from our extensive classical music library. We strive to play the best that classical music has to offer, but now we want to know which pieces of classical music carry you through your day.

KPAC 88.3 FM is counting down San Antonio’s 100 greatest classical hits, and we’re giving you an opportunity to let us know what your favorite pieces of classical music are.

Beginning September 1, we’re taking submissions for your ten favorite classical music pieces. From Schubert to Chopin, Bartók to Beethoven, anything is up for grabs as you pick the music that you love the most.

Submissions will be compiled to build a list of 100 selections that San Antonians call their favorites. Beginning October 16, we’ll countdown your favorites for one week.

Click the here or email (kpac100@tpr.org) to make your submission.

And don't forget! You can always pick your classical favorites with Listener's Choice, hosted by KPAC's James Baker, every Saturday night beginning at 7 p.m.

Go to Aida!

Texas Public Radio invites our members to pick up their free passes to the Santikos Embassy Theater for Opera in Cinema's one-night-only screening of Guiseppe Verdi's Aida, performed at La Scala, the world-renowned opera house in Milan, Italy.

TPR has reserved VIP seating at this free screening. Aida will be showing on Thursday, September 10 at 7 p.m. Pick up your passes at our offices, located at 8401 Datapoint, Suite 800, San Antonio, TX 78229.

NOTE: Passes do not guarantee admission, for seating is available on a first-come, first-served basis.

Opera In Cinema's Aida
Thursday, September 10, 7 p.m.
Santikos Embassy Theater
13707 Embassy Row
San Antonio, TX 78216

BONUS: Each pass comes with a 2-for-1 voucher to the San Antonio Opera's upcoming performance of Madame Butterfly!

Thursday, September 3, 2009

Classical Spotlight

Join us this afternoon at 2pm for the return of Classical Spotlight on KPAC & KTXI.

Host John Clare speaks with Carolyn True (right) and Bradley Beckman (left) about their concert, Violence & Dances, coming up next Tuesday @ Trinity University's Ruth Taylor Auditorium.





Also, something you might have missed this last summer was the launch of Classical TV. Clare speaks with Founder Chris Hunt about the new service. Check it out for yourself!






This fall will mark the debut of conductor Troy Peters (right) who is the new musical director of YOSA. Peters came by the TPR studios and spoke with Clare about his new role.
YOSA is also presenting Eric Booth with their Music Learning Center on September 16th, find out more here.










Finally, Ursula Mamlok (right) is a gifted composer who is 86 years young. Bridge Records has released the first volume of her music, and host John Clare spoke to her about her music and the new release.
Listen to their conversation here. (mp3 file)












Sample all of today's show, and past shows! as a podcast online here.

And be sure to tune in next week as we talk with two Van Cliburn Piano Competition winners performing in the area, as well as a discussion with John de Lancie, in town to direct SA Opera's production of Madama Butterfly.

Wednesday, September 2, 2009

Future of Butterfly: SA Opera

We're looking forward to Madama Butterfly with SA Opera next week - keep an eye out for an interview with director John de Lancie with host John Clare.
Here's a sneak peak, the set of the production, set in the future!

Tuesday, September 1, 2009

RIP, Kunzel 1935-2009

We are sadden by the news of Erich Kunzel's death. (There is more @ the Cincinnati Enquirer) He leaves a large legacy of recordings, prominmently on Telarc with the Cincinnati Pops.

Last year TPR's Barry Brake spoke with the maestro during the Olympics. Listen to the interview: mp3 file


James Dick @ Round Top

This last Saturday audiences got a preview of the August to April series @ Round Top. Host John Clare was on hand to emcee and film some of the concert...here is the finale, with founder & pianist James Dick. He plays two impromptus by Franz Schubert.

Last chance

Today is the deadline!

To enter the Digital Composer-in-Residence competition please send:

1.A printable PDF of your score
2.A sound file of your submission (midi files are accepted if no other option is available)
3.The name of a piece of music by a composer that has influenced you, that you would programme at the live event in November. See guidlines below for more detail.
You can either post your entry to:

Digital Composer-in-Residence Competition
Dilettante Music
Suite 5
46 Manchester Street
London W1U 7LS
ENGLAND

Or email your score in pdf format, along with your recording and influencial piece of music to composer@dilettantemusic.com

Guidelines:
• Entries should not exceed 8 minutes in length

• Maximum scoring/instrumentation cannot exceed 8 instruments, and should be selected from: violin (1 or 2), viola, cello, piano, trumpet, flute, clarinet, French horn, bassoon, double bass, electronics and voice(s), or any combination therein.

• It is not a requirement that works be composed specifically for the competition, however works that have already been professionally recorded and distributed cannot be submitted.

• Submissions should also include a brief paragraph discussing your influences, with particular reference to the work you have submitted. Please highlight the individual work you would programme at the finalists concert. If you are a finalist, this ‘influential work’ will be performed at the 5th November concert. For this reason, it must be a chamber work for a maximum of eight instruments as detailed in the instrumentation guidelines above.

• Entrants may enter only one composition

• Anyone can enter, but you do need to be a Dilettante member (if you’re not already) and joining Dilettante is free.

The closing date for entries is 1 September 2009. Entries received after this date will not be considered.

The Digital Composer-in-Residence is a ‘virtual’ residency, so the winner will be expected to participate in a number of online activities on the Dilettante site.

If you have any questions about the competition, or you're not sure about something, feel free to email us on composer@dilettantemusic.com