Showing posts with label Great Performances. Show all posts
Showing posts with label Great Performances. Show all posts

Wednesday, November 23, 2011

Daniel Catan's Il Postino on Great Performances


It was early 2011 when John Clare first asked me about contact information for the Mexican born composer Daniel Catan. John wanted to approach Daniel about writing a short piece for San Antonio based Soli Chamber Ensemble. Fast forward a few months, to April, and I saw the opportunity to introduce John to Daniel, face to face. Daniel had been in Austin on a special project at UT, doing some teaching while working on a commission from the UT Opera Theatre. At this same time, the University of Houston Opera was mounting a performance of Daniel's adaptation of the film Il Postino. Postino had premiered in Los Angeles in September of 2010 to rave reviews.

I had known Daniel Catan for a number of years, but had only recently met him in person for an interview. We hit it off immediately, "like old friends" as Daniel said. Thus I was not surprised that Daniel was eager to get me tickets for the Houston performance of Il Postino. I picked up John the afternoon of April 8 for the drive over to Houston. As we entered the foyer to Moores Opera House, on the campus of the University of Houston, I half expected to see Daniel. He wasn't there, but the tickets were. As John and I entered the theater, I continued to scan the crowd for the familiar faces of Daniel and his wife, harpist Adriana Puente. No luck, nor was Daniel present at the post-performance reception. I supposed he had been detained in Austin for one reason or another, that his busy schedule had kept him from Houston on that Friday evening.

"Next time," I told John. "Next time you will get to meet him." Sadly, there would be no next time. My phone rang the following day with news that Daniel was missing. The next day's news was devastating. Daniel had passed away on April 8, the same day we were to have met him in Houston.

This personal connection makes all the more poignant the broadcast this Friday evening of the Los Angeles Opera's performance of Il Postino. If you love opera in the grand tradition, with soaring melodies and lush harmonies, this is for you. Il Postino will appeal to your heart, your soul, and your intellect. Need another reason to tune in to KLRN November 25 at 8 o'clock? Here it is:

Speaking of Catán after his death, Placido Domingo (who plays the role of Pablo Neruda in the opera) remarked, “To have lost a composer of his stature at the very height of his powers is a devastating loss to the world of classical music. Daniel Catán was one of the great opera composers of our time, beloved by audiences and especially by the musicians who had the privilege of performing his incredible work.”




Wednesday, October 27, 2010

Pierre Boulez Conducts Mahler 7th on Great Performances

PBS's Great Performances will air the Chicago Symphony's recent performance of Gustav Mahler's 7th Symphony this evening (10/27/1010) at 8 o'clock (Central) on local affiliate KLRN-San Antonio. This is a must see event, conducted by Pierre Boulez.

Health issues have forced recently appointed Music Director Ricardo Muti to step down from his Fall concerts with the Chicago Symphony Orchestra. The disappointment amongst patrons and fans of the CSO is understandable. I was recently in Chicago and had the opportunity to attend a program of Wagner, Chavez and Beethoven. Although I, too, was saddened to miss Muti on the podium, I must say the orchestra still proudly displays its world class virtuosity tempered with immaculate musicianship. I came away mightily impressed. This was not my first time to hear the Chicagoans live, but it might have been the finest concert by the CSO I have been privileged to attend.

What a shame that I had to return to San Antonio just as they announced that Boulez would be coming in a few days later for the Mahler 7th. Both Boulez and Mahler's 7th Symphony loom large for the Chicago Symphony Orchestra. The musicians love and respect Boulez. His affiliation with the CSO goes back to 1969 and includes 11 years (1995-2006) as the orchestra's principal guest conductor. As far as the Mahler goes, the CSO has a firm reputation as a Mahler orchestra. Years ago, when I took a few private French horn lessons with the orchestra's principal horn Dale Clevenger, Mr. Clevenger mentioned that at that time the orchestra regarded their recording of Mahler's 7th with Georg Solti as the best representation of how they believed the orchestra sounded. This enthusiasm is not only a sonic endorsement, but also an indication of the orchestra's affinity for this particular symphony. This, of course, makes tonight's Great Performances broadcast all the more compelling.


For the record, this Great Performances broadcast will repeat several times, mostly in the wee hours of the morning. Check local listings for details.

Submitted: James Baker