Friday, January 30, 2009

Mendelssohn at 200

Tuesday marks the 200th anniversary of Felix Mendelssohn's birth. Celebrations and concerts will take place honoring his music - do you have a favorite work or performance? Let us know in the comments.
One of my all time favorite pieces to hear and play of Mendelssohn is his youthful Octet for Strings. You can hear it Tuesday afternoon on KPAC and KTXI.
I remember one performance in Wichita, KS years ago with the Pro Arte Quartet and the Fairmount String Quartet...the performance was musical and quite brisk, but marred in the cute and concise Scherzo by a chirping cricket in the hall. After the finale, an astute audience member killed the offending cricket that had been lurking near the exit. The audience on its feet and shouting for an encore got to hear the scherzo again, this time without the chirping - "senza cicada".

Musicians and those curious to see the actual music of Mendelssohn can visit the IMSLP/Petrucci Library online - it's completely free.
This is another great link to everything Mendelssohn, FelixMendelssohn.com.

Finally, I thought I'd share a youthful memory of mine about Mendelssohn - actually at the time my violin teacher was learning Mendelssohn's Violin Concerto herself - the Hooked on Classics version of Mendelssohn!

Protean Music

Some pieces of music are so packed with possibilities that they can change the course of the musical arts. Franz Schubert wrote a two-fisted Fantasie in C major for a well off pianist that was a pupil of Hummel. Schubert may have been thinking of a rich remuneration when composing the Wanderer Fantasie but the riches lay in the melodic transformations in this inspired music. A young Franz Liszt was studying in Vienna at the time, just down the street in fact, and while he never met Schubert face to face he learned many lessons from the "Wanderer".

Find out some of the ways this protean work changed music on the Piano this Sunday afternoon at 5 on KPAC and KSTX.

host Randy Anderson

Thursday, January 29, 2009

Perhaps the next Mozart? next Greenberg?

The NY Philharmonic is going to play music by a 13 year old composer. Learn more here.
YOSA is going to play a work by Jay Greenberg on tour, and fans of youthful musicians should be sure to tune in Saturday mornings at ten am for From the Top.

YOSA: Korngold Interview

Coming up Sunday, February 8th, the Youth Orchestras of San Antonio present Tall Tales, Magical Melodies at Laurie Auditorium. They'll play Dvorak's Slavonic Dance #2, Kodaly's Hary Janos, and Korngold's Cello Concerto with Charlene Debus.
Recently, Charles Noble spoke with Katy Korngold Hubbard about her famous grandfather:

What are some highlights of hearing live performances of Korngold’s music? And where in the world has this taken you? Our family has had wonderful experiences traveling within the United States and abroad for Korngold performances. As I’ve mentioned, 1997 was the centenary - my mother, my husband, both our children and I went to London to hear several concerts at the Proms given at Royal Albert Hall. This was the first time we had the pleasure of hearing Gil Shaham play the Violin Concerto - and what a treat it was!

Read more of the interview here at Daily Observations.

Tuesday, January 27, 2009

Hear him every Saturday morning!

Christopher O'Riley Saves the Day at Spokane Symphony Orchestra
Heroic action is not often called for in the world of classical music, but on Saturday, January 17, renowned pianist Christopher O’Riley performed an act of artistic derring-do that many accomplished musicians would have shied away from. The Spokane Symphony saw its originally scheduled soloist, Gabriela
Montero, called to Washington to perform at the Inauguration of President Obama. A few days before the concert, her replacement, Orli Shaham, suddenly fell victim to the flu.
Agreeing to come to the Symphony’s rescue on the Wednesday immediately preceding the concert, O’Riley commenced round-the-clock rehearsal of the repertoire -- Beethoven’s Piano Concerto No. 2 -- at home in Cleveland, then flew to Spokane to rehearse with the Symphony just two days later. Despite the short space of time to prepare such a demanding program and the considerable stress under which he was operating, this Van Cliburn Award winner/laureate turned in a typically masterful performance, earning a standing ovation and several curtain calls. Here’s what Travis Rivers of the The Spokesman- Review in Seattle had to say:
“O’Riley is perhaps better known as the host of the National Public Radio program “From the Top,” where he introduces up-and-coming young performers. But Saturday’s performance demonstrated that O’Riley is a nimble and elegant concert artist, traits required by Beethoven’s concerto… Ludwig von Beethoven wrote it when he was 23 to introduce his own virtuosity as a pianist to the Viennese public. O’Riley was perfectly at home with Beethoven’s flowing Mozartian passages and completely assured in the dramatic surprises the impetuous young Beethoven dished out to conservative Vienna… Some of O’Riley’s most impressive moments came in the solo cadenza to the first movement, with its harmonic adventurousness. Also striking were the tender dialogue passages between soloist and orchestra near the close of the Adagio. O’Riley and the orchestra seemed to have great fun with gypsy-tinged high spirits of the finale. So did their audience.”
Christopher O’ Riley’s poetic gifts and captivating virtuosity have made him one of the most important pianists performing before the public today. He enjoys a thriving concert career with a singularly broad repertoire ranging from music of the English Renaissance and French Baroque periods to new works by today’s leading composers to such non-classical forms as the tango. Mr. O’Riley had already won acclaim for his adaptations of works in the classical canon before applying this talent to such contemporary artists as George Harrison, Nick Drake, Radiohead, and Elliott Smith. These recent efforts have earned plaudits from both classical-music writers and such publications as Rolling Stone, Entertainment Weekly, and Alternative Press.
O’Riley has been tireless in his efforts to make classical music a vital and visible presence on the contemporary scene. In addition to his performing and recording activities, he hosts the top-rated weekly NPR show From The Top and the PBS series From the Top at Carnegie.

Watch Chris' interview at the TPR Studios here.

Friday, January 23, 2009

Virtual Grimaud

Tomorrow, on January 24, you can experience a concert by pianist Hélène Grimaud on http://www.medici.tv/ at 7:00 PM (UTC) or 2pm Central US Time. This live performance from the Cité de la musique will be broadcast free on http://www.medici.tv/ and http://www.citedelamusique.fr/ in association with France 3 and France 2.
You can hear an interview with Grimaud and TPR's John Clare here.

Temporarily Back from Obscurity

Imagine an infant prodigy that was the subject of scholarly study, going on to study piano and composition with the best teachers in Europe, he then filled in for Rachmaninoff to great acclaim and had a triumphal debut at Carnegie Hall. So what is missing from this Cinderella story? A happy ending. Ervin Nyireghazi six months after his "triumph" was sleeping on the subways in New York City and it was there that he met the first of his eventual ten wives! After spend thirty odd years without a piano, Nyireghazi gave a concert to raise money for his ninth wife Elisa and the rest is history.

Some pianists can play loud and some are off the Richter Scale, volcanic in comparison. The incredible story of Ervin Nyireghazi on the Piano this Sunday afternoon at 5 here on Texas Public Radio.

host Randy Anderson

Classical lip syncing?

Was it live, or was it memorex? Read about the Air and Simple Gifts performance Monday at the Inauguration - what was broadcast was a dress rehearsal! There's more here from MSNBC.

Thursday, January 22, 2009

Academy Award Nominations


Nominations for the 81st Academy Awards were announced this morning. Here are the nominees for Best Original Score:


The Curious Case of Benjamin Button: Alexandre Desplat

Defiance: James Newton Howard

Milk: Danny Elfman

Slumdog Millionaire: A.R. Rahman

WALL-E: Thomas Newman


Both Newman and Howard have been nominated multiple times, but "Slumdog Millionaire" has both critical and popular momentum. I've seen "Slumdog," and the music (both the songs and score) play a major part in the film. It just could win over voters. Still, don't count out the always inventive Danny Elfman. WALL-E's score is very good, certainly better than Newman's rather flat score for "Revolutionary Road," but many voters of the Music Branch of the Academy will still see the film as simply a "cartoon."


You can follow more TPR Cinema updates through www.twitter.com/TPRCinema.


--Nathan Cone


Photo credit: Richard Harbaugh / ©A.M.P.A.S.

Tuesday, January 20, 2009

Inaugural Music

Just before Barack Obama was sworn in as America's 44th president this morning, violinist Itzhak Perlman, cellist Yo-Yo Ma, clarinetist Anthony McGill and pianist Gabriela Montero, performed the premiere of "Air and Simple Gifts," composed for the occasion by John Williams. Hear it again in an exclusive national radio broadcast on Wednesday's Performance Today, with Fred Child, from American Public Media - 12pm on KTXI and 6pm on KPAC.